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Titlebook: Neuroaesthetics; A Methods-Based Intr Tudor Balinisteanu,Kerry Priest Textbook‘‘‘‘‘‘‘‘ 2024 The Editor(s) (if applicable) and The Author(s)

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,Unit 1 Overview: A Critical Assessment of Neuroaesthetics as Experimental Science—Chances, Challengns of neuroscientific approaches. As in most psychologically rooted research questions, we cannot gain a comprehensive picture without taking further layers of analysis into account. Most importantly, every aesthetic phenomenon always has different layers that are linked with sensory, cognitive, and
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,Unit 1 Lesson: Behavioural Experiments—Research Designs, Statistical Power, Sample Size ,istical power, and selection of the number of participants required for a planned experiment. The theoretical points are illustrated with elements from a pilot study on empathy and closeness in partnered dance developed at Goldsmiths, University of London, entitled ‘Pilot Studies on Empathy and Clos
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Unit 3 Lab: Gender and Prototypes,ne Jesus prototype (jp), one male prototype (mp), and one female prototype (fp). The images can be marked for their category on the backside for easy reading of the results. The reason for using personalized prototypes is to make the task less obvious.
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Unit 4 Lesson: Why Is , Associated with Holiness?,as Christ”. In contrast, profane portraits were predominantly painted in profile, including portraits of the suffering Christ (“The Man of Sorrows”). Why did medieval artists prefer to paint Christ en face? His face is thus directed toward the beholder, both face and gaze are intently directed at th
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