Titlebook: Netherlands Quarterly for the History of Art; Simiolus Book 1975 Springer Netherlands 1975 history of Art

Fruition

书目名称Netherlands Quarterly for the History of Art影响因子(影响力)




书目名称Netherlands Quarterly for the History of Art影响因子(影响力)学科排名




书目名称Netherlands Quarterly for the History of Art网络公开度




书目名称Netherlands Quarterly for the History of Art网络公开度学科排名




书目名称Netherlands Quarterly for the History of Art被引频次




书目名称Netherlands Quarterly for the History of Art被引频次学科排名




书目名称Netherlands Quarterly for the History of Art年度引用




书目名称Netherlands Quarterly for the History of Art年度引用学科排名




书目名称Netherlands Quarterly for the History of Art读者反馈




书目名称Netherlands Quarterly for the History of Art读者反馈学科排名

迅速飞过

larder

http://image.papertrans.cn/n/image/662757.jpg

formula

Three portraits of the early Comnenian period,adapted to fit in with Christian ideas and beliefs, while the latter in their turn had introduced new aspects and modes into the imperial concept. The emperor was now no longer regarded as divine, but as a representative of God on earth..

令人苦恼

Heemskerck and Junius,Cast’s manuscript reached us at the beginning of that month and Ilja Veldman’s towards the end. After having read them, we realized that both authors had made the same discovery—the use by Maarten van Heemskerck of an emblem by the Haarlem humanist Hadrianus Junius in his painting of ., in East Berlin.

防止

eetle (.), white pine blister rust (.), and wildland fire interact with the vegetation and climate to create unique landscape behaviors. First, we synthesized the literature on the effects of these three disturbances and their interactions in the northern Rockies forests. Then we used the mechanisti

Verify

incision

比喻好

Heemskerck and Junius,Cast’s manuscript reached us at the beginning of that month and Ilja Veldman’s towards the end. After having read them, we realized that both authors had made the same discovery—the use by Maarten van Heemskerck of an emblem by the Haarlem humanist Hadrianus Junius in his painting of ., in East Berl

archaeology

,Marten van Heemskerck’s ,: a problem of Erasmian iconography,el van Mander. He speaks of Heemskerck’s religious devotion—for some 22 years he was warden at the church of St. Bavo in Haarlem—and he tells us of Heemskerck’s friendship with Dirck Volkertsz. Coornhert.. But the exact meaning of his contacts with the religious and intellectual leaders of Haarlem i