书目名称 | National Identity in 21st-Century Cuban Cinema | 副标题 | Screening the Repeat | 编辑 | Dunja Fehimović | 视频video | | 概述 | Offers new perspectives on the relationship between film, culture, and national identity in contemporary Cuba.Explores a range of films chosen to convey the diversification of subject matters, genres, | 图书封面 |  | 描述 | .National Identity in 21st-Century Cuban Cinema. .tours early 21.st.-century Cuban cinema through four key figures—the monster, the child, the historic icon, and the recluse—in order to offer a new perspective on the relationship between the Revolution, culture, and national identity in contemporary Cuba. Exploring films chosen to convey a recent diversification of subject matters, genres, and approaches, it depicts a changing industrial landscape in which the national film institute (ICAIC) coexists with international co-producers and small, ‘independent’ production companies. By tracing the reappearance, reconfiguration, and recycling of national identity in recent fiction feature films, the book demonstrates that the spectre of the national haunts Cuban cinema in ways that reflect intensified transnational flows of people, capital, and culture. Moreover, it shows that the creative manifestations of this spectre screen—both hiding and revealing—a persistent anxiety around Cubanness even as national identity is transformed by connections to the outside world.. | 出版日期 | Book 2018 | 关键词 | Cuban Cinema; Global Cinema and Cuba; Cuban National Identity; Instituto Cubano de Arte e Industria Cin | 版次 | 1 | doi | https://doi.org/10.1007/978-3-319-93103-6 | isbn_softcover | 978-3-030-06589-8 | isbn_ebook | 978-3-319-93103-6 | copyright | The Editor(s) (if applicable) and The Author(s) 2018 |
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