Titlebook: Narratives of the Unspoken in Contemporary Irish Fiction; Silences that Speak M. Teresa Caneda-Cabrera,José Carregal-Romero Book‘‘‘‘‘‘‘‘ 20

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The Silencing of Speranza,der the afterlives of Jane Wilde and the silencing and distorting of her scholarly and intellectual career. In particular, the essay looks at her reputation during her lifetime, her scholarship and her public role within Irish cultural nationalism and denounces that her own voice was silenced by a h

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,“A Self-Interested Silence”: Silences Identified and Broken in Peter Lennon’s , (1967),of Ireland’s “architecture of containment” (Smith, Éire-Ireland 36:111–130, 2001) and framed with regard to Antonio Gramsci’s conception of hegemony and “common sense” (Selections from the Prison Notebooks of Antonio Gramsci. Lawrence and Wishart, London, 1971). It considers Peter Lennon’s 1967 docu

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,Silence in Donal Ryan’s Fiction,re specifically, to exploring how silence conforms to the representations of communities and individuals in his work. Drawing on the theoretical tenets of silence in the work of Pierre Macherey, Pierre Bourdieu, George Steiner, William Franke and Michel Foucault, this chapter examines how Ryan’s wri

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,Unspeakable Injuries and Neoliberal Subjectivities in Sally Rooney’s , and ,ce and dysfunction in the lives of Irish millennials who experience their vulnerability as unspeakable, as a sign of weakness and abnormality in a competitive, individualistic world. The analysis details the ways in which Rooney’s characters adopt strategies such as passing, concealment and ironic d

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2731-3182 in the context of contemporary Irish fiction.Focuses on theThis Open access book is a collection of essays and offers an in-depth analysis of silence as an aesthetic practice and a textual strategy which paradoxically speaks of the unspoken nature of many inconvenient hidden truths of Irish society

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Book‘‘‘‘‘‘‘‘ 2023oxically speaks of the unspoken nature of many inconvenient hidden truths of Irish society in the work of contemporary fiction writers. The study acknowledges Ireland’s history of damaging silences and considers its legacies, but it also underscores how silence can serve as a valuable, even producti

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Introduction: Silences that Speak,ectly concealing inconvenient truths from the public eye. Ultimately, as the book itself demonstrates, for contemporary Irish writers, the unspoken is not just a constraint but a productive site of enquiry, a silence that “speaks”.

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