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Titlebook: Narrative Innovation and Cultural Rewriting in the Cold War Era and After; Marcel Cornis-Pope Book 2001 Palgrave Macmillan, a division of

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Narrative Innovation and Cultural Rewriting in the Cold War Era and After
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Book 2001od that have held cultures hostage to a confrontation between rival ideologies abroad and a clash between champions of uniformity and disruptive others at home. Considering a broad range of narrative projects and approaches (from polysystemic fiction to surfiction, postmodern feminism, and multicult
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,Postmodernism’s Polytropic Imagination,tions of reality during the Cold War era. The “New Fiction” took shape in the 1960s to fill “the linguistic gap created by the disarticulation of the official discourse in its relation with the individual” (. 25). Its main effort was to “place into the open, in order to challenge it, the question of
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,Interventive Writing in the “Post-Human” Age,debates, to the development of new discursive practices. His theoretical essays, gathered in two collections, . (1985) and . (2000), suggest a cumulative, polemical effort to redefine fiction “as thought and articulation” rather than as “mind-numbing make-believe” (. 6). Challenging both the mass-ma
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