Titlebook: Narrative Form and Chaos Theory in Sterne, Proust, Woolf, and Faulkner; Jo Alyson Parker Book 2007 Palgrave Macmillan, a division of Natur

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tems in the physical world parallel structures in certain kinds of narratives. By closely looking at Laurence Sterne‘s Tristram Shandy, Marcel Proust‘s In Search of Lost Time, Virginia Woolf‘s Mrs. Dalloway, and William Faulkner‘s Absalom, Absalom!, Parker demonstrates how these insights can be appl

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Narrating against the Clockwork Hegemony: , Games with Temporality, Mrs. Shandy’s question (“have you not forgot to wind up the clock”) suggests.. This circumstance is in keeping with the fact that Tristram and his text are subject to something other than, in Stephen Kellert’s felicitous phrase, “the clockwork hegemony” instigated by Newtonian science.

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Narrating the Workings of Memory: Iteration and Attraction in ,he like of whom had never been seen, and was not be seen again until Proust’s Marcel.”. In each text, the writer subverts autobiographical conventions in an attempt to retard time’s forward march and to recapture lost time.

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Narrating the Indeterminate: Shreve McCannon in ,ner attempts to convey “everything, everything!” within certain constraints. Instead of a drawing on a roving trajectory of focalization, he focalizes the overall narrative through various internal narrators in turn, and each narrator contributes to the emerging pattern of the Sutpen story.

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Chaos Theory and the Dynamics of Narrative, “a lot like literary criticism.” Specifically, I look at how contemporary ways of modeling turbulent dynamical systems in the physical world look like models of a certain kind of literary narrative structure, and I consider what the implications of that analogy are.

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