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Titlebook: Narrative Form; Suzanne Keen Book 2003 Palgrave Macmillan, a division of Macmillan Publishers Limited 2003 Cultural Studies.fiction.Narrat

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书目名称Narrative Form
编辑Suzanne Keen
视频video
图书封面Titlebook: Narrative Form;  Suzanne Keen Book 2003 Palgrave Macmillan, a division of Macmillan Publishers Limited 2003 Cultural Studies.fiction.Narrat
描述This handbook concisely introduces narrative form to advanced students of fiction. Beginning with a survey of major theorists and approaches, and using clearly defined terms, Narrative Form explains critical vocabulary and offers a variety of strategies for analyzing the formal qualities of fiction. Keen suggests that interpretations of form can be effectively integrated with contemporary approaches to literature, including feminist, postcolonial, and cultural studies methodologies. Narrative Form shows how to use the language of formal analysis accurately and innovatively.
出版日期Book 2003
关键词Cultural Studies; fiction; Narrative
版次1
doihttps://doi.org/10.1057/9780230503489
isbn_ebook978-0-230-50348-9
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2003
The information of publication is updating

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rchdringungsvermögen umgewandelt. Die Elektronenoptik macht sich die Analogie der Elektronenstrahlung zur Licht­ strahlung zunutze. An die Stelle des Lichtstrahles tritt der Elektronenstrahl. Die optischen Linsen werden durch elektrostatische oder magnetische Glieder ersetzt. Da das Auflösungsvermögen und die978-3-663-06679-8978-3-663-07592-9
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Suzanne Keenrchdringungsvermögen umgewandelt. Die Elektronenoptik macht sich die Analogie der Elektronenstrahlung zur Licht­ strahlung zunutze. An die Stelle des Lichtstrahles tritt der Elektronenstrahl. Die optischen Linsen werden durch elektrostatische oder magnetische Glieder ersetzt. Da das Auflösungsvermögen und die978-3-663-06679-8978-3-663-07592-9
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eilung der genannten Qualitäts­ kenngrößen (Schneidfähigkeit, Schneidhaltigkeit) ist die reproduzier­ bare Messung bzw. Registrierung des zum Trennen von Drähten bestimmten Durchmessers und bestimmter technologischer Eigenschaften erforderli­ chen Kraftaufwandes sowie der Verschleißerscheinungen an
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Major Approaches to and Theorists of Narrative,ves primacy to the documentary nature of narrative and clearly leaves out fiction. For narrative as fiction, the . offers ‘An account or narration; a history, tale, story, recital (of facts, etc.),’ which brings in oral narration and several examples of narratives real and fictitious. Finally, the .
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Shapes of Narrative: A Whole of Parts,o be noticed by a reader. The traits of genres and the expectations generated by conventions that play such an important role in the reader’s experience of narrative are treated at the end of the book, in Chapter 11. Though this chapter suggests some relationships between genres and shapes of narrat
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People on Paper: Character, Characterization, and Represented Minds,thout them. The benefit of temporarily isolating characters from their story-matrix lies in the observations that can be made about how writers build out of descriptive, illustrative, and demonstrative passages their invitations to imagine the people who populate story worlds.
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Timing: How Long and How Often?,the fiction’s setting.. Despite these commonsense connections of time and narrative, the ‘time’ discussed by narrative theory has little to do with the ‘time’ of history. When they refer to ‘time’ in narrative, most theorists mean some combination of the temporal unfolding of narrative in the act of
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