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Titlebook: Narcissism and Selfhood in Medieval French Literature; Wounds of Desire Nicholas Ealy Book 2019 The Editor(s) (if applicable) and The Autho

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书目名称Narcissism and Selfhood in Medieval French Literature
副标题Wounds of Desire
编辑Nicholas Ealy
视频video
概述Studies the influence of classical mythology on medieval literature.Explores connections between the contemporary study of psychoanalysis and trauma studies with medieval literature.Examines selfhood
丛书名称The New Middle Ages
图书封面Titlebook: Narcissism and Selfhood in Medieval French Literature; Wounds of Desire Nicholas Ealy Book 2019 The Editor(s) (if applicable) and The Autho
描述 .This book offers analyses of texts from medieval France influenced by Ovid’s myth of Narcissus including the .Lay of Narcissus., Alain de Lille’s .Plaint of Nature., René d’Anjou’s .Love-Smitten Heart., Chrétien de Troyes’s .Story of the Grail .and Guillaume de Machaut’s .Fountain of Love.. Together, these texts form a corpus exploring human selfhood as wounded and undone by desire. Emerging in the twelfth century in Western Europe, this discourse of the wounded self has survived with ever-increasing importance, informing contemporary methods of theoretical inquiry into mourning, melancholy, trauma and testimony. Taking its cue from the moment Narcissus bruises himself upon learning he cannot receive the love he wants from his reflection, this book argues that the construct of the wounded self emphasizes fantasy over reality, and that only through the world of the imagination—of literature itself—can our narcissistic injuries seemingly be healed and desire fulfilled..
出版日期Book 2019
关键词Ovid‘s Metamorphoses; Narcissus; narcissism in literature; the self in medieval literature; medieval Fre
版次1
doihttps://doi.org/10.1007/978-3-030-27916-5
isbn_softcover978-3-030-27918-9
isbn_ebook978-3-030-27916-5Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Narcissus and Mourning: Alain de Lille’s ,ity, laments humanity’s desires, attempting to close through mourning this wound created by sin. Narcissus represents such sin because he desires his image, mistaken for another man, and corrupts language’s univocality. Nature, despite her divine imperative, embodies qualities of the narcissine imag
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Narcissus and Melancholy: René d’Anjou’s ,loved, René remains melancholic, incapable of satisfying his longing. Melancholy works to keep this wound open, creating a space where René can fixate upon his “loss” as fulfillment seems attainable. This chapter examines through text and illuminations the scenes where René’s heart (1) is removed by
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