Titlebook: Nano-Optoelectronics; Concepts, Physics an Marius Grundmann Book 2002 Springer-Verlag Berlin Heidelberg 2002 electronics.laser.laser diode.

宽大

High Occupancy Effects and Condensation Phenomena in Semiconductor Microcavities and Bulk Semiconducle structure being prepared by high precision, modern crystal growth techniques [.]. In such structures vertical confinement of both excitons in the quantum wells and of light within the Fabry-Perot cavity results in strong and controllable light-matter interactions unachievable in quantum wells or

LIKEN

jealousy

Long-Wavelength InGaAs/GaAs Quantum Dot Laserslength range near 1.28–1.32 μm is particularly important for datacom applications at distances up to 2–10 km, with an advantage of ultrafast data links based on time division multiplexing (TDM) and, more recently, coarse wavelength division multiplexing (CWDM) systems. High-power single transverse m

或者发神韵

InP/GaInP Quantum Dot Laserst of view as well as in respect to applications such as the quantum dot laser. Originally, the quantum dot laser was proposed to outperform the well-established quantum well laser on the basis of properties such as material gain [.], differential gain [.], temperature stability [.] and threshold cur

Admonish

注视

FILLY

Zhores I. Alferoventative Men.” This was only his second voyage beyond the sight of land, his inaugural one taking place in 1832–3, when he sailed to Europe as a young man on a Romantic .. Now wiser and sadder than in those days of pure possibility, Emerson still felt the excitement of the waves. A few days from the

Arboreal

子女

‘the tyranny of the eye’.. Romantic poets like Shelley may insist that their concern is with ‘invisible nature’, and ‘perception’, in poems such as ‘Tintern Abbey’, may give way to ‘conception’ as the ‘eye’, so keenly active in the poem’s first paragraph, is supplanted by the ‘I’, and yet, Galperin

蚀刻

Kurt Scheerschmidt,Peter Werner ‘the tyranny of the eye’.. Romantic poets like Shelley may insist that their concern is with ‘invisible nature’, and ‘perception’, in poems such as ‘Tintern Abbey’, may give way to ‘conception’ as the ‘eye’, so keenly active in the poem’s first paragraph, is supplanted by the ‘I’, and yet, Galperin