Titlebook: Names, Proverbs, Riddles, and Material Text in Robert Frost; Timothy D. O’Brien Book 2010 Palgrave Macmillan, a division of Nature America

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fatty-streak

Overview: This study examines several unexplored aspects of the poetry of Robert Frost, one of the most widely read and studied American poets, and shows how they contribute to the reader‘s experience and modernism in general.978-1-349-28705-5978-0-230-10989-6

anatomical

得罪人

Book 2010This study examines several unexplored aspects of the poetry of Robert Frost, one of the most widely read and studied American poets, and shows how they contribute to the reader‘s experience and modernism in general.

Original

捕鲸鱼叉

偏狂症

,The Quest for a Name in “Frost”,observations about naming. In fact, he anticipates the questioning by saying, “I hope you won’t ask me to put names on things … I’m afraid of that” . 148). And in response to Sherrill’s first question about what God meant to him in “Bereft,” he says, “If you would learn the way a man feels about God

consent

Proverbs and the Quest for Certainty,atan to offer a representative version of his famous smile, because she thinks he looks a bit lost, as if he “were more guilty of mischief than” he really was. She tells him not to worry because she is prepared for any revelation that he can bring out; after all, she snidely remarks, there will not

有罪

The Riddle of It All, an important aspect of Emily Dickinson’s and Wallace Stevens’s poetics, for example, it has seldom been mentioned as a formal element worth considering in Frost’s works.. This omission is surprising given the various ways in which such scholars as Lentricchia, Poirier, and Kearns, to name a few, ha

entreat

The Material Text as Witness Tree,s. As we have seen, though, all these gestures involved in that search lead to the same outcome: the self and the sense of secure knowledge underpinning it disappear in the act of naming. What survives is either the intimidating, imponderable mystery of our condition or mere materiality, whether fle