Titlebook: Nabokov, Rushdie, and the Transnational Imagination; Novels of Exile and Rachel Trousdale Book 2010 Palgrave Macmillan, a division of Natu

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Authority, Self, and Community in ,th to represent. The status of “fact,” of objectively verifiable truth, is assigned in the novel almost entirely to internal, personal experience, while the physical truths central to Nabokov’s novels and even . become unstable. While Saleem’s insistence on “memory’s truth” in . marks his unreliabil

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What Actually Happens,what . does for India. In what Anshuman Mondal describes as “a profound ideological shift,” . is centered not in Bombay but in New York, and rock music, the dominant art form of the book, is treated as both a global and a specifically American phenomenon.. Rushdie himself describes it as “my first A

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,Women Artists at the Slade School of Fine Art in Edwardian London, 1901–1910,it from other schools in London, then highlights and explains the link between the Slade and the Francophile New English Art Club (NEAC). Naturally, gender difference emerges from such an archival study, but so does the understudied question of class difference within the school. This chapter has al