| 书目名称 | Music, Mathematics and Language | | 副标题 | The New Horizon of C | | 编辑 | Keiji Hirata,Satoshi Tojo,Masatoshi Hamanaka | | 视频video | | | 概述 | Presents a new approach to computational musicology.Reinterprets the foundational theories in musicology.Written by the experts in music informatics and intelligent informatics | | 图书封面 |  | | 描述 | .This book presents a new approach to computational musicology in which music becomes a computational entity based on human cognition, allowing us to calculate music like numbers. Does music have semantics? Can the meaning of music be revealed using symbols and described using language? The authors seek to answer these questions in order to reveal the essence of music. .Chapter 1 addresses a very fundamental point, the meaning of music, while referring to semiotics, gestalt, Schenkerian analysis and cognitive reality. Chapter 2 considers why the 12-tone equal temperament came to be prevalent. This chapter serves as an introduction to the mathematical definition of harmony, which concerns the ratios of frequency in tonic waves. Chapter 3, “Music and Language,” explains the fundamentals of grammar theory and the compositionality principle, which states that the semantics of a sentence can be composed in parallel to its syntactic structure. In turn, Chapter 4 explains the most prevalent score notation – the Berklee method, which originated at the Berklee School of Music in Boston – from a different point of view, namely, symbolic computation based on music theory. Chapters 5 and 6 int | | 出版日期 | Book 2022 | | 关键词 | music informatics; mathematics in music; computational musicology; semiotics; artificial intelligence | | 版次 | 1 | | doi | https://doi.org/10.1007/978-981-19-5166-4 | | isbn_softcover | 978-981-19-5168-8 | | isbn_ebook | 978-981-19-5166-4 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor |
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发表于 2025-3-21 18:43:14
