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Titlebook: Movement and Mimesis; The Idea of Dance in Mandakranta Bose Book 1991 Springer Science+Business Media Dordrecht 1991 English literature.ant

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书目名称Movement and Mimesis
副标题The Idea of Dance in
编辑Mandakranta Bose
视频video
丛书名称Studies of Classical India
图书封面Titlebook: Movement and Mimesis; The Idea of Dance in Mandakranta Bose Book 1991 Springer Science+Business Media Dordrecht 1991 English literature.ant
描述The most comprehensive view of the evolution of dancing in India is one that is derived from Sanskrit textual sources. These texts are the basic material that students of the dance in India must examine in order to uncover its past. Since the rebirth of informed interest in dancing in early twentieth century, its antiquity has been acknowledged but precisely what the art was in antiquity remains unclear. Discovering the oldest forms of dancing in India requires, as do other historical quests, a reconstruction of the past and, again as in other historical investigations, the primary sources of knowledge are records from the past. In this case the records are treatises and manuals in Sanskrit that discuss and describe dancing. These are the sources that the present work sets out to mine. These texts taken collectively are more than records of a particular state of the art. They testify to the growth of the theory and practice of the art and thus establish it as an evolving rather than a fixed art form that changed as much in response to its own expanding aesthetic boundaries as to parallel or complementary forms of dance, drama and music that impinged upon it as India‘s social and po
出版日期Book 1991
关键词English literature; antiquity; art; concept; construction; dance; drama; evolution; growth; knowledge; literat
版次1
doihttps://doi.org/10.1007/978-94-011-3594-8
isbn_softcover978-94-010-5594-9
isbn_ebook978-94-011-3594-8
copyrightSpringer Science+Business Media Dordrecht 1991
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Book 1991the growth of the theory and practice of the art and thus establish it as an evolving rather than a fixed art form that changed as much in response to its own expanding aesthetic boundaries as to parallel or complementary forms of dance, drama and music that impinged upon it as India‘s social and po
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Studies of Classical Indiahttp://image.papertrans.cn/m/image/639752.jpg
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978-94-010-5594-9Springer Science+Business Media Dordrecht 1991
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