书目名称 | Mondrian‘s Philosophy of Visual Rhythm | 副标题 | Phenomenology, Wittg | 编辑 | Eiichi Tosaki | 视频video | | 概述 | First book-length work on a forgotten definition of rhythm as ‘schema’ or ‘composition’.New approach to visual rhythm, with references to Piet Mondrian’s theory of visual rhythm in Neoplastic painting | 丛书名称 | Sophia Studies in Cross-cultural Philosophy of Traditions and Cultures | 图书封面 |  | 描述 | .This volume investigates the meaning of visual rhythm through Piet Mondrian’s unique approach to understanding rhythm in the compositional structure of painting, drawing reference from philosophy, aesthetics, and Zen culture. Its innovation lies in its reappraisal of a forgotten definition of rhythm as ‘stasis’ or ‘composition’ which can be traced back to ancient Greek thought. This conception of rhythm, the book argues, can be demonstrated in terms of pictorial strategy, through analysis of East Asian painting and calligraphy with which Greek thought on rhythm has identifiable commonalities. The book demonstrates how these ideas about rhythm draw together various threads of intellectual development in the visual arts that cross disparate aesthetic cultural practices. As an icon of early 20th Century Modernism, Mondrian’s neoplasticism is a serious painterly and philosophical achievement. In his painting, Mondrian was deeply influenced by Theosophy, which took its influence from Eastern aesthetics; particularly East Asian and Indian thought. However, Mondrian’s approach to visual rhythm was so idiosyncratic that his contribution to studies of visual rhythm is often under-recognize | 出版日期 | Book 2017 | 关键词 | Ancient Greek theories of rhythm; Eastern aesthetics; Gilles Deleuze; Husserlian phenomenology; Jastrow‘ | 版次 | 1 | doi | https://doi.org/10.1007/978-94-024-1198-0 | isbn_softcover | 978-94-024-1507-0 | isbn_ebook | 978-94-024-1198-0Series ISSN 2211-1107 Series E-ISSN 2211-1115 | issn_series | 2211-1107 | copyright | Springer Science+Business Media B.V. 2017 |
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