| 书目名称 | Models of Discovery and Creativity | | 编辑 | J. Meheus,T. Nickles | | 视频video | | | 概述 | The book contains contributions from both historians and philosophers of science.All of them, however, are methodological in the contemporary sense of the term.The central values of this methodology a | | 丛书名称 | Origins: Studies in the Sources of Scientific Creativity | | 图书封面 |  | | 描述 | .Since the origin of the modern sciences, our views on discovery and creativity had a remarkable history. Originally, discovery was seen as an integral part of methodology and the logic of discovery as algorithmic or nearly algorithmic. During the nineteenth century, conceptions in line with romanticism led to the famous opposition between the context of discovery and the context of justification, culminating in a view that banned discovery from methodology. The revival of the methodological investigation of discovery, which started some thirty years ago, derived its major impetus from historical and sociological studies of the sciences and from developments within cognitive psychology and artificial intelligence. Today, a large majority of philosophers of science agrees that the classical conception as well as the romantic conception are mistaken. Against the classical conception, it is generally accepted that truly novel discoveries are not the result of simply applying some standardized procedure. Against the romantic conception, it is rejected that discoveries are produced by unstructured flashes of insight...An especially important result of the contemporary study concerns the | | 出版日期 | Book 2009 | | 关键词 | Case Studies; Orient; artificial intelligence; cognition; concept; creativity; culture; flash; model; nature; | | 版次 | 1 | | doi | https://doi.org/10.1007/978-90-481-3421-2 | | isbn_softcover | 978-94-007-3152-3 | | isbn_ebook | 978-90-481-3421-2 | | copyright | Springer Science+Business Media B.V. 2009 |
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发表于 2025-3-21 19:10:51
