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Titlebook: Mimesis, Genres and Post-Colonial Discourse; Deconstructing Magic Jean-Pierre Durix Book 1998 Palgrave Macmillan, a division of Macmillan P

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书目名称Mimesis, Genres and Post-Colonial Discourse
副标题Deconstructing Magic
编辑Jean-Pierre Durix
视频video
图书封面Titlebook: Mimesis, Genres and Post-Colonial Discourse; Deconstructing Magic Jean-Pierre Durix Book 1998 Palgrave Macmillan, a division of Macmillan P
描述Through a broad-ranging survey of the allegory, utopia, the historical novel and the epic in post-colonial literature, Jean-Pierre Durix proposes a critical reassessment of the theory of genres. He argues that, in the New Literatures which are often rooted in hybrid aesthetics, the often decried mimesis must be viewed from a completely different angle. Analysing texts by Gabriel García Márquez, Salman Rushdie, Alejo Carpentier, Wilson Harris and Edouard Glissant, he pleads for the redefinition of ‘magic realism‘ if the term is to retain generic relevance.
出版日期Book 1998
关键词aesthetics; Alejo Carpentier; argue; bibliography; building; culture; English literature; epic; genre; hybrid
版次1
doihttps://doi.org/10.1057/9780230377165
isbn_ebook978-0-230-37716-5
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1998
The information of publication is updating

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发表于 2025-3-22 00:03:40 | 显示全部楼层
ecried mimesis must be viewed from a completely different angle. Analysing texts by Gabriel García Márquez, Salman Rushdie, Alejo Carpentier, Wilson Harris and Edouard Glissant, he pleads for the redefinition of ‘magic realism‘ if the term is to retain generic relevance.978-0-230-37716-5
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poses a critical reassessment of the theory of genres. He argues that, in the New Literatures which are often rooted in hybrid aesthetics, the often decried mimesis must be viewed from a completely different angle. Analysing texts by Gabriel García Márquez, Salman Rushdie, Alejo Carpentier, Wilson H
发表于 2025-3-22 05:06:22 | 显示全部楼层
Book 1998itical reassessment of the theory of genres. He argues that, in the New Literatures which are often rooted in hybrid aesthetics, the often decried mimesis must be viewed from a completely different angle. Analysing texts by Gabriel García Márquez, Salman Rushdie, Alejo Carpentier, Wilson Harris and
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https://doi.org/10.1057/9780230377165aesthetics; Alejo Carpentier; argue; bibliography; building; culture; English literature; epic; genre; hybrid
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