Titlebook: Methodological Imaginations; E. Stina Lyon,Joan Busfield Book 1996 Palgrave Macmillan, a division of Macmillan Publishers Limited 1996 com

Chylomicron

书目名称Methodological Imaginations影响因子(影响力)




书目名称Methodological Imaginations影响因子(影响力)学科排名




书目名称Methodological Imaginations网络公开度




书目名称Methodological Imaginations网络公开度学科排名




书目名称Methodological Imaginations被引频次




书目名称Methodological Imaginations被引频次学科排名




书目名称Methodological Imaginations年度引用




书目名称Methodological Imaginations年度引用学科排名




书目名称Methodological Imaginations读者反馈




书目名称Methodological Imaginations读者反馈学科排名

effrontery

Surrealism, Mass-Observation and Researching Imagination, origins and implications of this dualism, the title usefully focused on a tension between the two words and opened up a space in which the place of imagination in research could be discussed. Moreover, it is a ‘lost space’ in which an embryonic sociology of the emotions was once located and could, if it wanted to, figure again.

Mets552

Imagining the Community: Some Reflections on the Community Study as a Method, studies which to a greater or lesser extent are issue-based (e.g. Moore, 1982), localised (Stacey .. 1975), ethnographic (Gibbon and Steyne 1986), done by individuals or teams (Warwick and Littlejohn 1992), policy-oriented (Wengler 1984; Buhner 1987; Willmott 1987) and explicitly related to the origins of the idea of community (Strathern 1981).

大量

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即席演说

enlist

,Every Picture ‘Tells a Story’: Uses of the Visual in Sociological Research,central location in research training and research practice. In doing so we will inevitably draw on, and benefit from, an increasing multidisciplinarity in research methodologies available for our use.

overbearing

Visual Imagery and the Iconography of the Social World: Some Considerations of History, Art and Profor the construction and depiction of social difference’ (1988:1). The reading of texts through images relies on the viewer’s perception to decode the stories, on the narrative configuration of forms, meanings and symbols which constitute the picture as language and discourse.

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debris