Titlebook: Metatheatrical Dramaturgies of Violence; Staging the Role of Emma Willis Book 2021 The Editor(s) (if applicable) and The Author(s), under

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978-3-030-85104-0The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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https://doi.org/10.1007/978-3-030-85102-6dramaturgy; metatheatricality; violence; playwriting; acting; spectatorship

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,Performative Violence and Self-Reflexive Dramaturgy: A Study of Guillermo Calderón’s , and Other Wotadrama, . illustrates how dramatic self-reflexivity may be used to expose the ethical precarity of a theatre that speaks for the other, rather than listening to them. I draw from Salwa Ismail’s explanation of the performativity of violence as a basis for analysing the dramaturgical design of . and

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,Staging Rage: A Feminist Perspective on Theatrical Self-Reflexivity in Ella Hickson’s , and Tim Cro ., and supplemented with discussion of Catherine Filloux’s ., Tim Crouch’s . and Heidi Schreck’s . Hickson’s play is an exemplary text for considering how theatre’s governing principles—economic and aesthetic—are determined by prevailing hegemonic norms that control the distribution of subject and