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Titlebook: Metafiction and Metahistory in Contemporary Women‘s Writing; Ann Heilmann (Professor of English),Mark Llewellyn Book 2007 Palgrave Macmill

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Historicizing Witchcraft Throughout the Ages: Joanna Baillie and Caryl Churchillon her study of history and remarks, ‘it is evident that the rediscovery of our history is an essential aspect of the creation of a feminist critique of male culture’.. Caryl Churchill echoes these sentiments in the introduction to her play ., first produced in 1976, as she explains her motivations
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Passion and Possession as Alternatives to ‘Cosmic Masculinity’ in ‘Herstorical Romances’academics. However, the titles of both novels do not really call to mind either the manly Napoleonic wars or the patriarchal Victorian Age, which has more recently come in for radical re-vision in Sarah Waters’ novels (see Chapter 14). So, right from the paratext, it would seem that the punning meta
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Michèle Roberts: Histories and Herstories in ,, , and ity or shared cultural experiences. From . (1984) to . (2003), Roberts’s novels engage creatively with the contemporary debate about the place of women in history and the ways in which women can tell their own histories. Julia Tofantšuk argues in Chapter 4 of this book that ‘feminist theory has long
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The Convent Novel and the Uses of Historych of St Julian in Norwich.. Born around 1342 or 1343, she was a contemporary of Geoffrey Chaucer but the contrast between these two figures, the anchoress and the court poet, can be seen as emblematic of the differences between men and women’s relationships to both writing and history. . is a world
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The Resisting Writer: Revisiting the Canon, Rewriting History in Sena Jeter Naslund’s hat ‘to read the canon of what is currently considered classic American literature is perforce to identify as male’,. specifically to identify with a male protagonist on the run from civilization, domestication and marital responsibility. The woman reader is, therefore, interpellated into a position
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