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Titlebook: Men, Masculinities and Sexualities in Dance; Transgression and it Andria Christofidou Book 2021 The Editor(s) (if applicable) and The Autho

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书目名称Men, Masculinities and Sexualities in Dance
副标题Transgression and it
编辑Andria Christofidou
视频video
概述Presents one of the few sociological studies focused on male dancers.Explores the interrelationship between gender and sexuality, the social norms which continue to subtly influence social relationshi
丛书名称Genders and Sexualities in the Social Sciences
图书封面Titlebook: Men, Masculinities and Sexualities in Dance; Transgression and it Andria Christofidou Book 2021 The Editor(s) (if applicable) and The Autho
描述.This book examines men, masculinities and sexualities in Western theatrical dance, offering insights into the processes, actions and interactions that occur in dance institutions around gender-transgressive acts, and the factors that set limits to transgression. This text uses interview and observation data to analyze the conditions that encourage some boys and young men to become involved in this widely unconventional activity, and the ways through which they negotiate the gendered and sexual attachments of their professional identity. Most importantly, the book analyzes the opportunities male dancers find to develop a reflexive habitus, engage in gender transgressive acts and experiment with their sexuality. At the same time, it approaches gender and sexuality as embodied, and therefore as parts of identity that are not as easily amendable. .This book will be of interest to scholars in Gender and Sexuality Studies as well as Dance and Performance Studies.  . . . . .
出版日期Book 2021
关键词sociology; hegemonic masculinity; homosexuality; ballet; gender studies; heteromasculinity
版次1
doihttps://doi.org/10.1007/978-3-030-77218-5
isbn_softcover978-3-030-77220-8
isbn_ebook978-3-030-77218-5Series ISSN 2947-8782 Series E-ISSN 2947-8790
issn_series 2947-8782
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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The Practice of Dance, Habitus, and Heightened Reflexivity,nce as conditions that cultivate heightened self-reflexivity among dancers and result in them developing an increased awareness of their bodies, the ways their bodies look and move in space. The chapter develops in conversation with scholars who have written on reflexivity, agency, structures, and h
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Behind the Curtains: Questioning Sexuality, Troubling Gender,encounters, and less controlled performances of the self. It argues that backstage regions are settings of “gender trouble” where male dancers can, and to a large degree do, disrupt the “heterosexual matrix” (Butler, ., Routledge, 1999). The latter is discussed as both an outcome of these men’s acti
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Getting in Character: Just Acting or Gender Embodied?, selves that dancers perform during backstage interactions, and the characters they are cast to perform onstage. It approaches dancers as trained actors and skilled performers; social actors who are encouraged to self-reflect on their bodies, appearance, and ways of coming across before others. Sinc
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The Grand Finale,udies, and sociological literature on gender and sexualities. It highlights the many tensions that characterize the field and practice of dance, and develops a discussion around what these may suggest about the prevailing gender order in the dance world and beyond. In doing this it points to possibl
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