Titlebook: Memory, Images, and the English Corpus Christi Drama; Theodore K. Lerud Book 2008 Palgrave Macmillan, a division of Nature America Inc. 20

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Observe

Medieval Culture and the Memory Arts,ves exemplars, in the range of their work, of the field they address, it nonetheless behoves us to begin with a short survey of some classical and medieval texts that strike the key notes of our study of the drama. Cicero and Quintilian in the Roman period, as well as the unknown author of the ., wh

吸引人的花招

Eructation

Medieval Aristotelianism and the Poetics of the English Corpus Christi Drama,les by invoking the principles of Aristotle’s .:.While Taylor does not argue specifically for the influence of Aristotle on the Corpus Christi dramatists, the telltale phrases embedded in his essay (“object imitated,” “classic stages of ‘plot,’” “a serious action”) nonetheless illustrate the ingrain

GRACE

Thomas Aquinas and the Rehabilitation of the Image: A Context for the Development of Medieval Drama more essential than “devoute writings.” As such, fourteenth- and fifteenth-century defenses of both images and drama frequently turn on the Aristotelian notion of the necessity of ., especially “seable signer,”. to the process of understanding (and devotion). Plays, especially the Corpus Christi pl

GEN

Biofeedback

发微光

Plays, Places, and the Dramatic Records,ect that the Corpus Christi cycles would incorporate, continue, and develop this model. As such, the pageants would present figures in conventional iconographic postures against frames or backgrounds calculated to lend power to the Corpus Christi plays as an elaborate communal memory system. Further

indigenous

A Bird in the Hand: Shifting Politics and Processions in Chester,ortance of images, . to cognition—we have now begun to look at the actual phenomenology of performance against this matrix of memory. In the production of the English Corpus Christi plays, the frames of manuscript images—essential to their meaning by all accounts—become the doors, gates, and archway

实现

Reinventing the Cycle: The Banns, the Text, and the Pentecostal Design,a. By playing also at Whitsuntide, they hedge their bet on the simultaneous continued performance of a procession and play at Corpus Christi (a move of which Bishop Bird, at least, would presumably have approved). Performance at Corpus Christi is highly charged, associated as it is with a traditiona