Titlebook: Memory and Securitization in Contemporary Europe; Vlad Strukov,Victor Apryshchenko Book 2018 The Editor(s) (if applicable) and The Author(

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neologism

Artistic Commemoration and Securitization: The WWI Centenary and the Creation of Collective Memory arly rich context to observe the use of artistic commemoration as a process of securitization. In the UK, little over-arching critical discourse appears to have prefaced these disparate memorials and monuments. How can national politics of memory be reconciled with pan-European ones, if at all, in t

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Prologue

,Europe on the Global Screen: Geopolitical Scotoma, Transnational Cinema of Memory and Hollywood’s Sia reports) are used to construct a specific narrative available for global consumption (the global screen) whilst other narratives remain untold (geopolitical scotoma). I aim to examine how European interregional and transnational agency is employed to encode, store and transmit cultural experience

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MUT

Remembering and Securitizing Climate Change in Russian and British Media,. Barry Buzan (Coop Confl 32, 1997: 14) argues that ‘the process of securitization is what in language theory is called a “speech-act”’. Therefore, this chapter analyses media discourse as a representation of a ‘speech-act’. It also considers media outlets as ‘institutions of national memory’ whose

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#NoKievNazi: Social Media, Historical Memory and Securitization in the Ukraine Crisis,bruary 2014 and the conflict in eastern Ukraine in May–June 2014. Using a large sample of multi-lingual data, I investigate how securitizing speech-acts were produced on Twitter, what their audience was at different stages of the Ukraine crisis, and in which ways historical memories were employed by

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f magistrates for the more perfect administration of justice, and the establishment of hospitals and dispensaries for the relief of the sick would have been attended with obvious and great advantage. But these objects could not be attained without a large increase of expense, and Parliament had alwa

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