Titlebook: Memory and Intermediality in Artists’ Moving Image; Sarah Durcan Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusiv

联想记忆

Bmd955

连累

The Echo-Chamber,nt-gardes of the 1920s. Both artists’ work draws on cinephilia as they replay and return to film form from the past of cinema and avant-garde practices. This chapter argues that their work synthesizes the fragmented traditions of artists’ film and video and takes up the ‘unfinished business’ of avan

Gentry

悦耳

Mediatized Memories, media are involved in the construction of memory and secondly the memory of media formats themselves. In an analysis of moving image installations by Mark Leckey, Lucy Raven, Jaki Irvine, James Richards and Elizabeth Price, the intersection between individual and collective memory and the effect of

有杂色

,Conclusion: ‘Inconsolable Memory’,d artworks give material substance to the virtuality of memory. Secondly, memory is shown to operate in relation to forgetting and the navigation of disavowed ‘hauntings’ of memory. Thirdly, the ethico-political dimension of memory becomes evident in the documentary fiction mode, where ‘real fiction

acrimony

直觉好

HAWK

Sarah Durcanapt that measure-theoretic background to the special needs o.This 2nd edition textbook. .offers a rigorous introduction to measure theoretic probability with particular attention to topics of interest to mathematical statisticians—a textbook for courses in probability for students in mathematical st

令人心醉

Sarah Durcanapt that measure-theoretic background to the special needs o.This 2nd edition textbook. .offers a rigorous introduction to measure theoretic probability with particular attention to topics of interest to mathematical statisticians—a textbook for courses in probability for students in mathematical st