Titlebook: Memory Frictions in Contemporary Literature; María Jesús Martínez-Alfaro,Silvia Pellicer-Ortín Book 2017 The Editor(s) (if applicable) and

INEPT

书目名称Memory Frictions in Contemporary Literature影响因子(影响力)




书目名称Memory Frictions in Contemporary Literature影响因子(影响力)学科排名




书目名称Memory Frictions in Contemporary Literature网络公开度




书目名称Memory Frictions in Contemporary Literature网络公开度学科排名




书目名称Memory Frictions in Contemporary Literature被引频次




书目名称Memory Frictions in Contemporary Literature被引频次学科排名




书目名称Memory Frictions in Contemporary Literature年度引用




书目名称Memory Frictions in Contemporary Literature年度引用学科排名




书目名称Memory Frictions in Contemporary Literature读者反馈




书目名称Memory Frictions in Contemporary Literature读者反馈学科排名

挖掘

NAIVE

Narrative Form, Memory Frictions and the Revelation of Traumatic Secrets in Toni Morrison’s ,ne burial of a man in a field where two horses were fighting. When Cee saw the body, she began to shake. But Frank thought he “could handle it,” and repressed his affects. The result was that he “really forgot about the burial” and “only remembered the horses.” In other words, he created a screen me

不满分子

The Zigzag Trajectory Through Time of Colum McCann’s ,’s oceanic storyworld is focalized through both male historical figures from the nineteenth and twentieth centuries and generations of fictional female figures who use or are impacted by the trade route. Through the telling of fictional Hannah Carson’s overarching homodiegetic multigenerational stor

Gullible

Public Art and Communal Space: The Politics of Commemoration in Amy Waldman’s ,for a memorial commemorating the victims of 9/11. When the chosen designer’s name is finally revealed, his identity as an American Muslim comes to the attention of the public, and controversy ensues about the appropriateness of his submission. Following the reactions of about a dozen different chara

征服

Scintillations

False Memories, False Foods: Eating, Cooking, Remembering in , by Eduardo Machadoht Eduardo Machado in the USA in 1961, and his experience of exile. The chapter draws on Donald E. Pease’s theory of the (post)national narrative and looks at Paul Ricoeur’s classification of the three types of uses and abuses of memory: blocked, manipulated and obligated. It argues that the memorie

expdient

以烟熏消毒

Lore, or the Implicated Witness: Rachel Seiffert’s Postmemory Workgues that instead of validating reassuring binaries that prop up an illusionary but clear-cut moral regime, this text confronts unstable degrees of implication. Moreover, she shows how Seiffert utilizes the perpetrator perspective to address the question of implication in histories of violence that

Nonporous