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Titlebook: Media Borders, Multimodality and Intermediality; Lars Elleström (Professor of Comparative Literatur Book 2010 Palgrave Macmillan, a divisi

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Translating Sounds: Intermedial Exchanges in Amy Lowell’s ‘Stravinsky’s Three Pieces “Grotesques”, fl exchange and cross-fertilization.. The word ‘imagine’, however, also points to the permeability and constructedness of allegedly established media boundaries, calling into question the validity of such commonly accepted notions as, for instance, ‘literature’, ‘music’ or ‘art’. Apart from drawing a
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Photo/graphic Traces in Dubravka Ugrešić’s be found either on the cover or on the first page of the book. What follows is a disjointed archive, the first person narrative of a female Croatian intellectual in exile after the dissolution of the former Yugoslavia, a memory-work about a dismembered cultural, historical and geographical ‘body’, a
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ial media, cloud computing (in its various guises) and the consumerisa. tion of IT, have all had profound impacts on the way in which organisations seeking greater efficiency, cost savings and new business opportunities share, manipulate and exploit information. Critically, from a cybersecurity pers
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