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Titlebook: Maximillian Harden; Censor Germaniae the Harry F. Young Book 1959 Springer Netherlands 1959 1922.Caspar David Friedrich.English literature.

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发表于 2025-3-21 17:44:06 | 显示全部楼层 |阅读模式
书目名称Maximillian Harden
副标题Censor Germaniae the
编辑Harry F. Young
视频video
丛书名称International Scholars Forum
图书封面Titlebook: Maximillian Harden; Censor Germaniae the Harry F. Young Book 1959 Springer Netherlands 1959 1922.Caspar David Friedrich.English literature.
描述Maximilian Harden, editor of the magazine Die :(,ukunft (The Future), which appeared weekly from 1892 until 1922, was Wilhelminian Germany‘s greatest publicist. Bismarck and Clemenceau as well as Max Reinhardt and Pirandello recognized his political and literary genius. Thomas Mann sent early works to him with the inscription: "To the hero and savior";1 and when Paul Valery learned that Harden had attended one of his lectures, he wrote that there was "nothing more flattering and. . . intimi­ dating than to know that you were among those who had listened to me. "2 Today Harden is misunderstood, if not forgotten. It is known that he was an actor who turned to journalism and became famous as a champion of the retired Bismarck. He was the most persistent and daring critic of Kaiser Wilhelm II. He befriended Friedrich von Holstein, the disgraced "evil genius" of the Foreign Office. He entered the First World War a flaming patriot, but later became the voice of the "good German. " He vainly aspired to a post of high responsibility under the Weimar Repub­ lic; and he died in 1927, allegedly a bitter, misanthropic radical. His name is associated with the homosexual scandals of 1907-1909, w
出版日期Book 1959
关键词1922; Caspar David Friedrich; English literature; German; Germany; Thomas Mann; Weimar Republic; democracy;
版次1
doihttps://doi.org/10.1007/978-94-015-2457-5
isbn_softcover978-94-015-1350-0
isbn_ebook978-94-015-2457-5
copyrightSpringer Netherlands 1959
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Bismarck and the Founding of the ,readers must therefore have been surprised to find in the article ., which appeared in July, 1890, a confession of admiration for the recently dismissed Chancellor. This was the change that Harden had wished to symbolize in adopting the pseudonym ..
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Introduction,e inscription: “To the hero and savior”;.and when Paul Valéry learned that Harden had attended one of his lectures, he wrote that there was “nothing more flattering and… intimidating than to know that you were among those who had listened to me.”.
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