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Titlebook: Mathematics and Computation in Music; Third International Carlos Agon,Moreno Andreatta,John Mandereau Conference proceedings 2011 Springer

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发表于 2025-3-21 19:59:40 | 显示全部楼层 |阅读模式
书目名称Mathematics and Computation in Music
副标题Third International
编辑Carlos Agon,Moreno Andreatta,John Mandereau
视频video
概述Up-to-date results.Fast-track conference proceedings.State-of-the-art research
丛书名称Lecture Notes in Computer Science
图书封面Titlebook: Mathematics and Computation in Music; Third International  Carlos Agon,Moreno Andreatta,John Mandereau Conference proceedings 2011 Springer
描述This book constitutes the refereed proceedings of the Third International Conference on Mathematics and Computation in Music, MCM 2011, held in Paris, France, in June 2011. The 24 revised full papers presented and the 12 short papers were carefully reviewed and selected from 62 submissions. The MCM conference is the flagship conference of the Society for Mathematics and Computation in Music. This year’s conference aimed to provide a multi-disciplinary platform dedicated to the communication and exchange of ideas amongst researchers involved in mathematics, computer science, music theory, composition, musicology, or other related disciplines. Areas covered were formalization and geometrical representation of musical structures and processes; mathematical models for music improvisation and gestures theory; set-theoretical and transformational approaches; computational analysis and cognitive musicology as well as more general discussions on history, philosophy and epistemology of music and mathematics.
出版日期Conference proceedings 2011
关键词algebraic topology; computational music analysis; harmonic functions; neurodynamics; transformation theo
版次1
doihttps://doi.org/10.1007/978-3-642-21590-2
isbn_softcover978-3-642-21589-6
isbn_ebook978-3-642-21590-2Series ISSN 0302-9743 Series E-ISSN 1611-3349
issn_series 0302-9743
copyrightSpringer-Verlag GmbH Berlin Heidelberg 2011
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Sensitive Interval Property for Scales as Words in the Free Group F2or falling circle-of-fifths presentations (or their generalizations), within a unified mathematical framework. The special property investigated herein positions the diatonic major third (and its generalizations) as of structural significance within the theory.
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Interval Cycles, Affinity Spaces, and Transpositional Networksrelations. The paper also explores the music-modeling potential of progressive and dynamic T-nets by attending to characteristic compositional deployments in the music of Witold Lutosławski and György Kurtág.
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Subsumption of Vertical Viewpoint Patternsement. Though computed in a way entirely different to relational network matching, this paper proves that subsumption inferences are sound and complete with respect to the underlying relational language.
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Building Topological Spaces for Musical Objectse degrees of the diatonic scale and for the All-Interval Series (AIS) can be automatically built using ., a rule-based spatial programming language. Then, we suggest a new categorization for AIS based on their spatial construction.
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