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Titlebook: Mathematical and Computational Modeling of Tonality; Theory and Applicati Elaine Chew Book 2014 Springer Science+Business Media New York 20

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发表于 2025-3-21 17:31:23 | 显示全部楼层 |阅读模式
书目名称Mathematical and Computational Modeling of Tonality
副标题Theory and Applicati
编辑Elaine Chew
视频video
概述First book to connect mathematical representations of music with computational approaches to problem solving.Presents author’s Spiral Array geometric model for tonality.Author is known worldwide and u
丛书名称International Series in Operations Research & Management Science
图书封面Titlebook: Mathematical and Computational Modeling of Tonality; Theory and Applicati Elaine Chew Book 2014 Springer Science+Business Media New York 20
描述.From the Preface:.Blending ideas from operations research, music psychology, music theory, and cognitive science, this book aims to tell a coherent story of how tonality pervades our experience, and hence our models, of music..The story is told through the developmental stages of the Spiral Array model for tonality, a geometric model designed to incorporate and represent principles of tonal cognition, thereby lending itself to practical applications of tonal recognition, segmentation, and visualization. Mathematically speaking, the coils that make up the Spiral Array model are in effect helices, a spiral referring to a curve emanating from a central point. The use of “spiral” here is inspired by spiral staircases, intertwined spiral staircases: nested double helices within an outer spiral..The book serves as a compilation of knowledge about the Spiral Array model and its applications, and is written for a broad audience, ranging from the layperson interested in music, mathematics, and computing to the music scientist-engineer interested in computational approaches to music representation and analysis, from the music-mathematical and computational sciences student interested in lea
出版日期Book 2014
关键词cognitive science; computational models; mathematical programming; music information retrieval; music th
版次1
doihttps://doi.org/10.1007/978-1-4614-9475-1
isbn_softcover978-1-4899-7929-2
isbn_ebook978-1-4614-9475-1Series ISSN 0884-8289 Series E-ISSN 2214-7934
issn_series 0884-8289
copyrightSpringer Science+Business Media New York 2014
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https://doi.org/10.1007/978-1-4614-9475-1cognitive science; computational models; mathematical programming; music information retrieval; music th
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Mathematical and Computational Modeling of Tonality978-1-4614-9475-1Series ISSN 0884-8289 Series E-ISSN 2214-7934
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The Spiral Arrayssively generates representations for higher level tonal elements as a composite of each entity’s lower level components. The concept of the . is defined, wherein any element in the space can generate a higher level construct, modeled, in the same space, as the centroid, a mathematical sum, of its l
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The CEG Algorithm (Part I), whereby any sequence of notes maps to a point in the interior of the model. The algorithm is illustrated through a simple melodic example, “Simple Gifts” from Copland’s .. Included are discussions on why the model works, and the principles behind the particular set of model parameters used in the
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The CEG Algorithm (Part II): Validation classic key-finding algorithms, namely, Krumhansl and Schmuckler’s Probe Tone Profile Method (PTPM), and Longuet-Higgins and Steedman’s Shape Matching Algorithm (SMA). The three algorithms are tested using the fugue subjects of Bach’s .; the evaluation criterion being the number of pitch events nee
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