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Titlebook: Mathematical Risk Analysis; Dependence, Risk Bou Ludger Rüschendorf Book 2013 The Editor(s) (if applicable) and The Author(s), under exclus

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re emerging such as Coworking spaces, Makerspace and FabLab. This chapter presents an analytical experimentation aimed at evaluating if and how the social and digital connections can be put in relationship with physical spaces. More precisely, social media data related to new working spaces have bee
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Ludger Rüschendorfd indirect effects that it can produce (direct effects on the coworkers and indirect effects on the urban environment and planning). This chapter aims to fill the gap in the literature on the effects of coworking spaces (CSs). By conducting an empirical study, the “indirect” effects of CSs on the ur
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Ludger Rüschendorf to fast prototyping technologies. Such spaces are often imbued by a narrative centred on the sharing of information, open-knowledge and mutual help. They are conceived not only as production places, but also as spaces where interaction takes place, where people exchange ideas and, also, where socia
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d indirect effects that it can produce (direct effects on the coworkers and indirect effects on the urban environment and planning). This chapter aims to fill the gap in the literature on the effects of coworking spaces (CSs). By conducting an empirical study, the “indirect” effects of CSs on the ur
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Ludger Rüschendorf of John McNulty’s Third Avenue . sketches, an example of the kind of intriguingly askew pub talk of which McNulty was a delighted, avid recorder (4).. The quotation in the title of the present chapter — ”He’s Irish and he broods easy” — is another example of his drawing from overheard conversations
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Ludger Rüschendorfeir dish and pitchfork?” (256). Though there has been increased attention to those people since Leyda’s seminal article, the general neglect of Irish domestics in our picture of nineteenth-century New England-New York households, particularly literary ones, has pretty much continued. Irish servants
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Ludger Rüschendorf and moments prior to departure…We have the impression of constant restlessness…” (“Absence” 123). The earliest Irish literature had to do with journey, pilgrimage, seafaring, the mythology of voyage, and as recently as the 1980s the Pogues’ song “Thousands are Sailing” was an anthem to young Irish
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