Titlebook: Maternal Representations in Twenty-First Century Broadway Musicals; Stage Mothers Gina Masucci MacKenzie Book 2019 The Editor(s) (if applic

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sich ausschließlich mit diesem einen, dabei aber stets faszinierenden Element und seinen Eigenschaften und Anwendungen beschäftigt. Das vorliegende Buch basiert auf einer einsemestrigen Vorlesung, die ich bereits 978-3-519-00510-0978-3-8351-9098-6Series ISSN 0941-3677

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Book 2019tion and assessment of motherhood and the variety of roles for mother figures. Using a frame of feminist and psychoanalytical positions, Gina MacKenzie establishes, defines, and interprets mother figures in contemporary Broadway, according to original categorizations of the absent, inconsequential,

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The Inconsequential Mother,rough their minimal, but intriguing presence. The chapter provides analysis of such figures in ., and .. This figure is the one who offers the greatest freedom from convention, as neither she, nor her children are forced into stereotype.

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The Overbearing Mother, her perception of her failure as a mother. . and . are comedic examples of the overbearing mother figure, whose children give voice to their detrimental presence. . also offers this figure to audiences in the form of Wendla’s mother, whose strict conservativism leads to her daughter’s demise in the guise of maternal protection.

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The New Mother,traditional mothers, but their forms of mothering that offer freedom for the character and expand ways of thinking for the audience. After exploring these examples, this chapter will return to the theoretical premises of the introduction and offers suggestion for future productions.

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Book 2019iction, poetry, and other forms of drama offer a much wider and progressive view of the varieties of motherhood possible in society, asserting the need for greater representation of mother figures in commercial musical theatre today..

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