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Titlebook: Matematica e cultura 2010; Michele Emmer Conference proceedings 2010 Springer-Verlag Milan 2010 applicazioni.cultura.design.divulgazione.m

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发表于 2025-3-21 19:46:50 | 显示全部楼层 |阅读模式
书目名称Matematica e cultura 2010
编辑Michele Emmer
视频video
概述Di cinema, ma anche di letteratura, del grande amore di Stendhal per la matematica, si parla. E della geometria visionaria dei vestiti di Capucci, dei legami con l’arte contemporanea e i numeri. Per f
丛书名称Matematica e cultura
图书封面Titlebook: Matematica e cultura 2010;  Michele Emmer Conference proceedings 2010 Springer-Verlag Milan 2010 applicazioni.cultura.design.divulgazione.m
描述La collana .Matematica e cultura., attraverso un cammino iniziato dodici anni fa, in modo sempre nuovo, sorprendente e affascinante prova a descrivere influenze e legami esistenti tra il mondo della matematica e quello del cinema, della musica, dell‘economia, ma anche dell’arte, del teatro, della letteratura o della storia
出版日期Conference proceedings 2010
关键词applicazioni; cultura; design; divulgazione; matematica
版次1
doihttps://doi.org/10.1007/978-88-470-1594-4
isbn_softcover978-88-470-1593-7
isbn_ebook978-88-470-1594-4
copyrightSpringer-Verlag Milan 2010
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birthday party in Toronto since Drake came to the University of Toronto. As for the title, it reflects a shared conviction that experiment is the key to science; it is what scientists do. Drake has already asserted that emphasis in the title of his magisterial Galileo at Work, and we echo it here. T
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one of the richest collections of early scientific works, from many countries and in many languages, in North America. It also coincided with a decision of the University Library, and the central administration of the University of Toronto, to provide the financial resources to support the developm
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Clemena Antonovaesenting dynamicity in the approach and the latter reflecting increasingly personal domains. The ., which is also a . of desire, represents the speaker’s gradual approach to an entity, or the removal of some undesirable object from him. Some notions, such as . and . apply to this specific pattern of
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Michele Emmer in setting up various kinds of mental spaces while locating them in the physical space of the discourse. It is also highlighted that in the ambiguity and the specific evolvement of mental spaces in the folksongs, key notions are spatial grounding and the multiple temporal reference of Hungarian pre
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t folksongs reflect the underlying schema .. Understanding folksongs in a holistic way requires extensive and in-depth empirical study (in this case it is done based on a rich collection, which includes over 2500 texts), so that the typical construal patterns recognized in the texts shape the frame
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