Titlebook: Mastery and Slavery in Victorian Writing; Jonathan Taylor Book 2003 Palgrave Macmillan, a division of Macmillan Publishers Limited 2003 Am

偶然

存在主义

省略

headlong

Embolic-Stroke

勤勉

有说服力

咽下

FLEET

邪恶的你

Heroes, Hero-Worshippers and Jews: Music Masters, Slaves and Servants in Thomas Carlyle, Richard War to man’ (O, 398, 397). The musician is at once on a level with ‘the gods’ . the benefactor or servant of ‘man’. For Carlyle, there is no real contradiction here: the master-musician is ‘a friend of the gods’ precisely . he benefits and serves ‘man’. In . (1843), Carlyle clarifies this paradox when