Titlebook: Mass-Produced Original Paintings, the Psychology of Art, and an Everyday Aesthetics; Martin S. Lindauer Book 2020 The Editor(s) (if applic

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Mass-Produced Original Paintings, the Psychology of Art, and an Everyday Aesthetics

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Mass-Produced Original Paintings, the Psychology of Art, and an Everyday Aesthetics978-3-030-51641-3

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Martin S. LindauerExamines contribution of mass-produced original painting to the psychology of art, psychological aesthetics, and art criticism.Reveals the particular psychological characteristics of an everyday aesth

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The Psychology of Art: A Research PerspectiveThe possibly good, bad, and neutral influences of exposure to mass-produced original paintings, based on the findings reported in Chap. ., are discussed. Several . experiments on perception, learning, and development are proposed. The methodological advantages of including mass-produced original paintings in studies of art are emphasized.

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https://doi.org/10.1007/978-3-030-51641-3psychological aesthetics; psychology of art; creativity; Aesthetics; Popular Art; art history; fine arts; a

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The Characteristics of Mass-Produced Original Paintingsces. The work of several well-known popular artists is described (e.g., Thomas Kinkade), as are the anonymous Chinese artists of Dafen village as well as internet artists. The justification for treating mass-produced paintings as originals is discussed.

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Historical and Contemporary Approaches to the Popular Artsustrial Revolution; and the Works Progress Administration [WPA]); in contemporary studies in sociology (the artistic preferences of omnivores and univores; high- and low-brow taste cultures; Gans, Bourdieu); and in psychology (sentimental art). The relative neglect of popular paintings in psychology and cultural studies is noted.

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