Titlebook: Mass Media and the Genocide of the Armenians; One Hundred Years of Joceline Chabot,Richard Godin,Sylvia Kasparian Book 2016 The Editor(s) (

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A Christian Harem: , and the Representation of the Armenian Woman in the International Press,ldren as undefended subjects; women as powerful religious symbols, associated with the Christian Virgin Mary and Mother; and, at the same time, women as object of the most depraved projections of sexual violence: a symptomatic dichotomy of the typical polarization in the atmosphere of war.

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,The 1915 Genocide in the Post-war Ottoman Press and in Parliamentary Records (1918–1919),s it is an extremely important one in terms of localized discussions of the Armenian massacres in the Istanbul press, memoirs of statesmen, testimonies of regional leaders, and parliamentary discussions.

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From Silence to Re-remembrance: The Response of German Media to Massacres and Genocide against the tial “honest mediator”.), after Great Britain had succeeded in internationalizing the Oriental Question, challenging Russia’s earlier victory over the Ottoman Empire. The conflicting self-interests of France, Austria, Britain and Russia in the Near East did not concern Germany. For Wilhelm van Kampen,

Urea508

The Polish Press and Armenian Genocide from 1895 to 1920,was abolished in official political life, and the Polish press was censored.. Even though facing many difficulties since the Congress of Berlin (1878), the events relating to the situation of Armenians in the Ottoman Empire were widely known to the Polish public.

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Genocide and the Arts: Creativity, Morality and the Representation of Traumatic Experience,ps in Belgium and France during the First World War. While these authors show how successful the press was at conveying useful information about the Armenian Genocide to the Canadian public, like me they remain finally doubtful of the efficacy of words when tasked with describing an attempted human