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Titlebook: Martin Heidegger on Technology, Ecology, and the Arts; Anthony Lack Book 2014 Anthony Lack 2014 Martin Heidegger.Anselm Kiefer.Aesthetics.

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发表于 2025-3-21 19:40:29 | 显示全部楼层 |阅读模式
书目名称Martin Heidegger on Technology, Ecology, and the Arts
编辑Anthony Lack
视频video
图书封面Titlebook: Martin Heidegger on Technology, Ecology, and the Arts;  Anthony Lack Book 2014 Anthony Lack 2014 Martin Heidegger.Anselm Kiefer.Aesthetics.
描述Lack begins with a discussion of Max Weber‘s analysis of the disenchantment of the world and proceeds to develop Heidegger‘s philosophy in a way that suggests a "re-enchantment" of the world that faces the modern condition squarely, without nostalgia.
出版日期Book 2014
关键词Martin Heidegger; Anselm Kiefer; Aesthetics; Aesthetics and Ethics; Paul Klee; Antoni Tapies; John Lautner
版次1
doihttps://doi.org/10.1057/9781137487452
isbn_ebook978-1-137-48745-2
copyrightAnthony Lack 2014
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发表于 2025-3-21 23:51:23 | 显示全部楼层
Martin Heidegger on Technology, Ecology, and the Arts978-1-137-48745-2
发表于 2025-3-22 01:55:10 | 显示全部楼层
ik .- Lernprogramm „Mathematik kompakt", welches den Stoff aus dem Buch ergänzt.In der 4. neu bearbeiteten Auflage wurden zahlreiche Ergänzungen im Stoff (z.B. Kurven) vorgenommen. Das Buch erhielt insgesamt ei978-3-642-24326-4978-3-642-24327-1Series ISSN 0937-7433 Series E-ISSN 2512-5214
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,The Art of Nature, Klee and Tàpies,everal occasions. Klee’s works and writing on nature are the focus of comparison to Heidegger’s notion of Being as a form of emerging life. Tàpies had a working knowledge of Heidegger’s philosophy and he illustrated his ideas of earth and world, dwelling throughout his oeuvre.
发表于 2025-3-22 16:55:00 | 显示全部楼层
The Art of Anselm Kiefer through the Lens of Martin Heidegger on Technology, Art, and Truth,r’s art shows an earth and world relation that is fraught with peril, a relationship between earth and world where technology threatens, Being is in question, and no identity has been established between earth and world.
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Architecture and Dwelling, in which he discusses the relationship of the fourfold of earth, sky, mortals, and gods. Murcutt’s use of modern technology to “touch the earth lightly” is upheld as an example of architectural practice that consciously maintains itself within the fourfold.
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