Titlebook: Marine Debris; Sources, Impacts, an James M. Coe,Donald B. Rogers Book 1997 Springer-Verlag New York, Inc. 1997 Coast.Ocean.Pacific Ocean.c

出租

书目名称Marine Debris影响因子(影响力)




书目名称Marine Debris影响因子(影响力)学科排名




书目名称Marine Debris网络公开度




书目名称Marine Debris网络公开度学科排名




书目名称Marine Debris被引频次




书目名称Marine Debris被引频次学科排名




书目名称Marine Debris年度引用




书目名称Marine Debris年度引用学科排名




书目名称Marine Debris读者反馈




书目名称Marine Debris读者反馈学科排名

Yag-Capsulotomy

遗传学

Book 1997 persistent solid waste in the ocean, from urban and rural discharges to waste from ships and the recreational use of oceans. The book identifies key issues from biological, technological, economic and legal perspectives, and gives a framework for controlling each of the main sources of marine debris.

CAND

除草剂

od’s readers and their reading from the kinds of standpoints that would not have been possible for the initial wave of scholars piloting this recovery endeavour. Accordingly, framing our enterprise within the parameters sketched by Robert Darnton in his seminal 1986 examination of the history of rea

缓和

inevitably inscribed in practices of private economic considerations. This situation not only complicates theories of communication and rational—critical debate premised upon face-to-face encounters, but it also complicates the process by which private individuals can participate in the public spher

Deadpan

诽谤

tick employed in introducing his field-defining scholarly enterprise, .. Such a concept, like much in that foundational study, remains a vital and apposite way of approaching research on this topic. Accordingly, where once the map of the nineteenth-century reading landscape charted by book historian

类似思想

ational discourse idealized by Jürgen Habermas from eighteenth-century bourgeois public life (Habermas 1989; 2006 (2001, 1989)). On the one hand, as Miriam Hansen notes, ‘For Habermas, the industrial dissemination of cultural products is structurally incompatible with the possibility of public disco

GORGE

ational discourse idealized by Jürgen Habermas from eighteenth-century bourgeois public life (Habermas 1989; 2006 (2001, 1989)). On the one hand, as Miriam Hansen notes, ‘For Habermas, the industrial dissemination of cultural products is structurally incompatible with the possibility of public disco