Titlebook: Marine Concrete; A. L. Marshall Book 1990 Springer Science+Business Media New York 1990 behavior.concrete.prestressed concrete.relationshi

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A. L. Marshalltechnology and the digital society..CONTRIBUTION TO FIELD: TThis book explores the new terrain of network capitalism through the transformations of the discourse on technology. Rather than viewing such discourse as either a true or false reflection of reality, Fisher evaluates the ideological role t

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A. L. Marshalle as either a true or false reflection of reality, Fisher evaluates the ideological role that technology discourse plays in the legitimation of a new form of capitalism. Based on an extensive empirical analysis, the book argues that contemporary technology discourse at one and the same time promises

A精确的

A. L. Marshalle as either a true or false reflection of reality, Fisher evaluates the ideological role that technology discourse plays in the legitimation of a new form of capitalism. Based on an extensive empirical analysis, the book argues that contemporary technology discourse at one and the same time promises

ALOFT

A. L. Marshalltechnology and the digital society..CONTRIBUTION TO FIELD: TThis book explores the new terrain of network capitalism through the transformations of the discourse on technology. Rather than viewing such discourse as either a true or false reflection of reality, Fisher evaluates the ideological role t

陈腐思想

A. L. Marshalls to an interlinking imagination of the future, is, of course, not new. There has always been a fascination for the, as we often call them, ‘good old times’. But who would have thought, given the 1990s’ imagining of a future filled with technology, that the beginning of the new century would in fact

GRIN

A. L. Marshallan identity contractor’ (Cohen, Dezalay and Marchetti, 2007). ARTE is no stranger to nostalgic trends. Over several years, ARTE featured a special summertime programme entitled the ‘Summer of…’ series. Launched in 2008, it revisited the past by playing musical hits from former decades. It began with

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北京人起源

A Cage Glass All Round: Dilettante Patrons and Literary Philanthropists, by the progressive firm of Taylor and Hessey, which was already associated with John Keats’s poetry, was widely reviewed and eventually went into four editions. Clare went to London for about a week, meeting his publisher John Taylor and some of those such as Admiral Lord Radstock and Eliza Emmerso