Titlebook: Marina Carr; Pastures of the Unkn Melissa Sihra Book 2018 The Editor(s) (if applicable) and The Author(s), under exclusive license to Sprin

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c racism in the media. This is in part due to communication policy-making processes that marginalize and disempower diverse communities. Too often policy makers and researchers neglect prioritizing the specific needs and rights of people who are racialized, Indigenous, or living with disAbilities to

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Introduction: Towards a Matriarchal Lineage, pasture’. Angel’s plea for inclusion within her own community echoes women’s refusal to be consigned to the margins of Irish theatre. This book locates the theatre of Marina Carr within a female genealogy that revises the patriarchal sweep of modern Irish drama.

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Psychic Terrains: , and ,Offaly bog. A pall of darkness enshrouds the landscape where the still waters of surrounding Cuura Lake mask its inner depths. . is a three-act drama set in the affluent home of the Fitzgerald Family at the height of the Celtic Tiger.

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,Landscapes of the Mind’s Eye: , and , theatre, operate through images to express the . or metaphysical form of the imagination and are an intrinsic aspect of Carr’s creative process: ‘Dreams help me a lot. […] Writing from the unconscious seems the best place, of course tempered with the conscious, but I think it is the truest’.

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The Nature of Playwriting: , and ,04). The play begins moments before Chekhov’s death as he is visited by the enigmatic Black Monk and moves back in time between Moscow St Petersburg and Yalta offering imagined glimpses of his life. Like many of Carr’s plays . incorporates a double realm of the internal lifein which Chekhov converse

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