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Titlebook: Mapping South-South Connections; Australia and Latin Fernanda Peñaloza,Sarah Walsh Book 2019 The Editor(s) (if applicable) and The Author(

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Book 2019esses of translocal connectivities that link Australia with Latin America. The authors conceptualise the South-South not as a defined geographic space with clear boundaries, but rather as a mobile terrain with multiple, evolving and overlapping translocal processes. .
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Screening Latin America: The Sydney Latin American Film Festivalse contemporary “Latin American cinemas.” Furthermore, Film festivals like SLAFF are fascinating cases to explore how responses/appropriations/interpretations of both cultural differences and individual and collective agency are deliberately exalted.
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Decolonising the Exhibitionary Complex: Australian and Latin American Art and Activism in the Era oflobal Contemporary. The focus is on exhibition practice, rather than individual artists’ works; intersections with academic, institutional and museum cultures; and with broader notions of place and place-making. This includes a consideration of a worldwide turn towards socially engaged artistic prac
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Common Ground: Connections and Tensions Between Food Sovereignty Movements in Australia and Latin Am in over 40 countries. Analysing the engagement of different actors in the struggle for food sovereignty in Australia and Latin America this study highlights the individuality of experience and the employment of distinct cultural and regional symbols in issue-framing on local and country scales.
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Mavis Robertson, the Chilean New Song Tours, and the Latin American Cultural Explosion in Sydney Afts cultural upsurge was Mavis Robertson, a prominent member of the Communist Party of Australia, who chaired the cultural subcommittee of the Committee in Solidarity with the Chilean People in Sydney. This chapter concentrates on her role as a central figure in a growing awareness of Chile, and of La
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Days of the Dead: Australian Encounters with Violence in Contemporary Mexico the contemporary period focus on the place and performance of the act. Media reports interact with a tourist gaze as sites are transformed by the transgressive nature of the violence. The chapter explores synergies between the encounters with death to discuss the transformative potential of violenc
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