Titlebook: Manners, Morals and Class in England, 1774-1858; Marjorie Morgan Book 1994 Palgrave Macmillan, a division of Macmillan Publishers Limited

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Marjorie Morganatics, and computing to the music scientist-engineer interested in computational approaches to music representation and analysis, from the music-mathematical and computational sciences student interested in lea978-1-4899-7929-2978-1-4614-9475-1Series ISSN 0884-8289 Series E-ISSN 2214-7934

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Conduct as Antidote to Influence, of stability such as moral consensus, a relatively fixed and clearly-defined social hierarchy, personal influence and the close-knit community of familiar faces. The agents of this moral.and social certainty were to be, not laws or institutions, but individuals. This new society was thus to be made

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pitch in a sequence. In the spirit of Bugliarello’s new trivium and quadrivium, in which “no domain can any longer be considered and learned in isolation,” the chapter describes how the book bridges the disparate disciplines of music theory and operations research. Spanning C.P. Snow’s two cultures,

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Marjorie Morganical properties of the different levels of representations. The chapter concludes with a summary of the definitions and a visual depiction of the resulting array of spirals: nested helices comprising the outermost pitch class spiral, the major/minor chord double helix inside the pitch class spiral,

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Marjorie Morganf tonal induction and tracking algorithms. In this chapter we describe the mapping strategies for transforming a MIDI stream into tonal structures in 3D space, and our solution for overcoming the challenge of real-time concurrent processing of data streams; we will also give examples and present cas

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