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Titlebook: Malignant Hyperthermia; Beverley A. Britt (Associate Professor, Senior Sta Book 1987 Martinus Nijhoff Publishing, Boston 1987 muscle.patho

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楼主: antithetic
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T. E. Nelsonogate the norms that have been used to categorize art from the region, as well as the boundaries between notions of rationality, transcendence and insanity across cultures. .                          .978-3-030-40533-5978-3-319-98180-2Series ISSN 2691-3011 Series E-ISSN 2634-5196
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K. S. Cheahlso draws on Sylvia Wynter’s ongoing project to unsettle and disrupt the colonial enterprise. The conclusion also notes that of necessity and practicality, this collection of essays offers a beginning point, not a definitive or delimiting set of authors and texts addressing madness in Black women’s
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S. M. Muldoon,H. M. Carlint also her use of African languages and thought, at key moments in the text, to reconstruct and . fatally savaged and silenced African bodies from death to life. Thus, Philip’s exploded and translated experimental novel/poem suggests not only an enactment of madness, and a dissolution of established
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A. K. W. Brownellingly inexplicable mental phenomena manifest themselves to others; their relationship to life events; and how encounters with madness are experienced. This chapter starts with a broad overview of the ‘why and how’ of madness in literature. We then draw on two clinical debates that are both illuminat
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B. A. Brittreplaced by a more psychosocially nuanced, and often self-defined, notion of ‘ethnicity’. As sociologist Stuart Hall puts it, the term ethnicity ‘acknowledges the place of history, language and culture in the construction of subjectivity and identity, as well as the fact that all discourse is placed
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J. Lerman,J. E. S. Reltonsmallest details of appearance and behaviour. The disruption represented by love may be only temporary, but while it has possession of the mind it reduces the lover to a state of mental incapacity: lovers ‘are very slaves, drudges for the time, mad men, fooles, dizards, ., beside themselves, and as
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D. E. Jones,J. F. Ryanmi Tadmor describes as the ‘lineage-family’, stretching back towards ancestral lines of descent and forwards towards those who would carry the name in future, connected the dead and the as yet unborn in the minds of the living, not only among the aristocracy.. The constant reshaping of the family un
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