Titlebook: Male Subjectivity and Poetic Form in "New American" Poetry; Andrew Mossin Book 2010 Palgrave Macmillan, a division of Nature America Inc.

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Male Subjectivity and Poetic Form in "New American" Poetry

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Recovering the Public World: Robin Blaser, Hannah Arendt, and the Discourses of Self and Other in ,gh the act of speech-making. It’s a critical difference, one that involves two very different versions of subjectivity and agency: Duncan’s privileging the poet’s role in the process of poetic making, arguing for the centrality of the poet’s choices in matters of form and language; Blaser’s keeping

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,“Homosexual Advertising”: Gay Subjectivity, Modernist Form, and Robert Duncan’s ,into poetic making. Interpretation that follows the acts of the text predisposes us to a ceremonial affliction: we grasp at the contexts that no longer exist except as memorabilia of a text’s signification. The man or woman who was there is forever absent: a sign of someone we come back to, again.

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