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Titlebook: Making Transcendence Transparent; An intuitive approac Edward B. Burger,Robert Tubbs Textbook 2004 E.B. Burger and R. Tubbs 2004 complex an

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发表于 2025-3-21 16:43:14 | 显示全部楼层 |阅读模式
书目名称Making Transcendence Transparent
副标题An intuitive approac
编辑Edward B. Burger,Robert Tubbs
视频video
概述First book that makes the difficult and important subject of transcendental number theory accessible to undergraduate mathematics students.The authors inject a bit of literary flair in their expositio
图书封面Titlebook: Making Transcendence Transparent; An intuitive approac Edward B. Burger,Robert Tubbs Textbook 2004 E.B. Burger and R. Tubbs 2004 complex an
描述The Journey Ahead At the heart of transcendental number theory lies an intriguing paradox: While essen­ tially all numbers are transcendental, establishing the transcendence of a particular number is a monumental task. Thus transcendental numbers are an enigmatic species of number: We know they are all around us and yet it requires enormous effort to catch one. More often than not, they slip through our fingers and dissappear back into the dense jungle of numbers. Here we will venture to tame a few of these incredible creatures. In the pages ahead we offer an approach to transcendence that not only includes the intricate analysis but also the beautiful ideas behind the technical details. The phrase "classical transcendental number theory" in the title of this book refers to the most widely known results that were obtained in the nineteenth and early twentieth centuries. The reason for this focus is threefold. Firstly, this body of work requires only the mathematical techniques and tools familiar to advanced undergraduate mathematics students, and thus this area can be appreciated by a wide range of readers. Secondly, the ideas behind modem transcendence results are almost always an
出版日期Textbook 2004
关键词complex analysis; complex number; design; form; framework; function; functions; number theory; proof; symmetr
版次1
doihttps://doi.org/10.1007/978-1-4757-4114-8
isbn_softcover978-1-4419-1948-9
isbn_ebook978-1-4757-4114-8
copyrightE.B. Burger and R. Tubbs 2004
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发表于 2025-3-21 22:11:18 | 显示全部楼层
Edward B. Burger,Robert Tubbsg this period, this book presents a new approach to examining Macau’s diplomatic history. A unique read for scholars of Chinese history, this book will also appeal to those researching diplomatic and political history during the Second World War. 978-3-031-08456-0978-3-031-08454-6
发表于 2025-3-22 00:27:03 | 显示全部楼层
Edward B. Burger,Robert Tubbs small society constrain and influence the language policies that the territory seeks to implement. Macau‘s multilingual and pluralistic response to language needs within the territory echoes historical responses to similar challenges and suggests that small communities function sociolinguistically
发表于 2025-3-22 06:15:36 | 显示全部楼层
Edward B. Burger,Robert Tubbses only through being continually recreated so can have no fixed identity or meaning. If there is broad agreement amongst present-day audiences in the English-speaking world, that is because we are all trapped in the assumptions of late twentieth-century Western society. If we look back at eighteent
发表于 2025-3-22 11:47:12 | 显示全部楼层
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发表于 2025-3-22 20:27:02 | 显示全部楼层
Edward B. Burger,Robert Tubbses only through being continually recreated so can have no fixed identity or meaning. If there is broad agreement amongst present-day audiences in the English-speaking world, that is because we are all trapped in the assumptions of late twentieth-century Western society. If we look back at eighteent
发表于 2025-3-23 01:02:54 | 显示全部楼层
发表于 2025-3-23 02:02:10 | 显示全部楼层
Edward B. Burger,Robert Tubbs— for example, that the ‘blanket’ was the thick curtain of the Jacobean stage — Whiter showed the interrelation of the numerous ‘theatrical’ images in the play, and linked them with the imagery of darkness and hell by referring to the Jacobean practice of draping the stage in black for the performan
发表于 2025-3-23 07:02:11 | 显示全部楼层
Edward B. Burger,Robert Tubbs— for example, that the ‘blanket’ was the thick curtain of the Jacobean stage — Whiter showed the interrelation of the numerous ‘theatrical’ images in the play, and linked them with the imagery of darkness and hell by referring to the Jacobean practice of draping the stage in black for the performan
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