Titlebook: Making Plays; Interviews with Cont Duncan Wu (University Lecturer in Romantic Studies Book 2000 Palgrave Macmillan, a division of Macmillan

Hemoptysis

考古学

Book 2000 on theatrical technique and a unique insight into the ways in which great dramatists of our time have reacted to a rapidly changing world. In this book Duncan Wu talks to Michael Attenborough, Alan Bennett, Michael Blakemore, Howard Brenton, David Edgar, Sir Richard Eyre, Michael Frayn, Sir David H

vibrant

Introduction,ame time and place. And it is that immediacy that makes the theatre more intense, more compelling, than any other medium. It is what makes it a more potent vehicle of what Hazlitt calls the ‘sublime’ than any other.

表脸

asterclass on theatrical technique and a unique insight into the ways in which great dramatists of our time have reacted to a rapidly changing world. In this book Duncan Wu talks to Michael Attenborough, Alan Bennett, Michael Blakemore, Howard Brenton, David Edgar, Sir Richard Eyre, Michael Frayn, S

Flavouring

排他

Michael Attenborough,Arnold Wesker, as well as classics by Chekhov, Shaw and Shakespeare. He has been Associate Director at the Palace Theatre, Watford, 1980–84, and Artistic Director at the Hampstead Theatre, 1984–89. Since 1989 he has been with the RSC.

脖子

我不怕牺牲

In this book Duncan Wu talks to Michael Attenborough, Alan Bennett, Michael Blakemore, Howard Brenton, David Edgar, Sir Richard Eyre, Michael Frayn, Sir David Hare, Nicholas Hytner, and Max Stafford-Clark.978-1-349-65305-8

CLASH

Alan Bennett, , (1991),ccupied with the political consequences of the King’s indisposition. Everything about it, in fact, directs us towards its context, painstakingly established both through the twists and turns of the plotting, and Nicholas Hytner’s evocative production.

prostate-gland

Richard Eyre, all three plays In the Hare trilogy at the National, and directed the memorable first production of Bennett’s Kafka’s Dick at the Royal Court. For television, he has directed Ian McEwan’s The Imitation Came, Bennett’s The Insurance Man, and Hare’s The Absence of War, among others. He was awarded a CBE In 1992, and knighted in 1997.