Titlebook: Making Humanitarian Crises; Emotions and Images Brenda Lynn Edgar,Valérie Gorin,Dolores Martín-Mor Book‘‘‘‘‘‘‘‘ 2022 The Editor(s) (if app

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Valérie Gorin of spherical data. The book also includes numerous examples demonstrating how MATLAB can be used on datasets from the earth sciences. The supplementary electronic material (available online through SpringerLink) contains recipes that include all the MATLAB commands featured in the book and the samp

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Projecting Guilt and Shame in Wartime: How British State and Philanthropy Lectured on the Benefits ring directly into the civilian community. Ever-larger audiences and readers became emotionally attached to the disabled ex-servicemen’s plight and felt a collective responsibility for their transition back into civil and domestic life, not just leaving philanthropy to the social leaders.

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,‘Especial Outrage to Humanity and Civilisation’. The Atrocities of General Juan Manuel de Rosas andattack through inflammatory newspapers and pamphlets. This chapter will examine the emotional strategies deployed by anti-Rosist dissidents in order to provoke a stronger involvement by France and Britain in support of Montevideo and the unitarians.

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2946-5958 ffering.Covers humanitarian crises from the nineteenth centu.This open access collection of essays explores the emotional agency of images in the construction of ‘humanitarian crises’ from the nineteenth century to the present. Using the prism of the histories of emotions and the senses, the chapter

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Book‘‘‘‘‘‘‘‘ 2022over time. Understanding images as emotional objects, contributors from a wide horizon of disciplines explore how their production, circulation and reception has been crucial to the perception of humanitarian crises in a long-term historical perspective..

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The Touch of the Image: Affect and Materiality in Photojournalism of the Spanish Civil War,hese photographs are explained, together with the recycling of images, sometimes out of context. The visual analysis is informed by recourse to affect theory, with particular emphasis on the role of materiality in producing an impact on the spectator.