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Titlebook: Making British Indian Fictions; 1772-1823 Ashok Malhotra Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012 British India

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书目名称Making British Indian Fictions
副标题1772-1823
编辑Ashok Malhotra
视频video
丛书名称Palgrave Studies in Cultural and Intellectual History
图书封面Titlebook: Making British Indian Fictions; 1772-1823 Ashok Malhotra Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012 British India
描述This book examines fictional representations of India in novels, plays and poetry produced between the years 1772 to 1823 as historical source material. It uses literary texts as case studies to investigate how Britons residing both in the metropole and in India justified, confronted and imagined the colonial encounter during this period.
出版日期Book 2012
关键词British India; India; Romanticism
版次1
doihttps://doi.org/10.1057/9781137011541
isbn_ebook978-1-137-01154-1Series ISSN 2945-6630 Series E-ISSN 2945-6649
issn_series 2945-6630
copyrightPalgrave Macmillan, a division of Nature America Inc. 2012
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Exile, Ethnography, and Anglo-Indian Life within the Subcontinent,scursive strategies that the company deployed to justify colonial rule. On the other hand, plays and novels authored by women who had lived in India as the daughters or wives of company men shed light upon the social world of the Anglo-Indian community and the manner in which domestic private lives were fashioned within the colonial periphery.
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2945-6630 ce material. It uses literary texts as case studies to investigate how Britons residing both in the metropole and in India justified, confronted and imagined the colonial encounter during this period.978-1-137-01154-1Series ISSN 2945-6630 Series E-ISSN 2945-6649
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,Romantic Representations of the Subcontinent: “Subliming India” and Configuring Its Geopolitical Sis were less shamefaced about tackling political and ideological discourses. Second, authors such as William Jones, Robert Southey, and Thomas Moore prided themselves on having become “experts” on India.
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,Performing the “Civilizing Mission” on the British Stage,nce through sceneography and the physical bodies of the actors. Moreover, while novels and poems of this period could be read aloud to a group, they were more often than not aimed at an individual reader. This is in contrast to stage productions, which were mostly performed to a collective audience
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