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Titlebook: Shakespeare: Macbeth; David Elloway Textbook 1985Latest edition Macmillan Publishers Limited 1985 Britain.history.history of literature.li

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发表于 2025-3-21 18:49:00 | 显示全部楼层 |阅读模式
书目名称Shakespeare: Macbeth
编辑David Elloway
视频video
丛书名称Macmillan Master Guides
图书封面Titlebook: Shakespeare: Macbeth;  David Elloway Textbook 1985Latest edition Macmillan Publishers Limited 1985 Britain.history.history of literature.li
出版日期Textbook 1985Latest edition
关键词Britain; history; history of literature; literature; Macbeth; poetics; poetry; theatre; theatre history; Will
版次1
doihttps://doi.org/10.1007/978-1-349-07387-0
copyrightMacmillan Publishers Limited 1985
The information of publication is updating

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发表于 2025-3-21 23:23:04 | 显示全部楼层
https://doi.org/10.1007/978-1-349-07387-0Britain; history; history of literature; literature; Macbeth; poetics; poetry; theatre; theatre history; Will
发表于 2025-3-22 01:59:03 | 显示全部楼层
Macmillan Publishers Limited 1985
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Summary and Critical Commentary,Three Witches arrange to meet Macbeth after the conclusion of a battle that is in progress. When called by their familiar spirits (see page 6) they leave, joining together in a riddling chant.
发表于 2025-3-22 16:31:04 | 显示全部楼层
Themes and Issues,n she invokes the ‘spirits That tend on mortal thoughts’ (I.v.39–49). But no familiars appear — one might say that she doesn’t need any — and the spot is a blemish on her mind, not her body. Malcolm may be justified in calling her ‘fiend-like’ (V.ix.35), but not even Malcolm says that she is a fiend.
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Themes and Issues,th as victims of demonic possession: at different times both of them appear in trance-like states, no longer in control of themselves — Lady Macbeth when sleep-walking, Macbeth when he first hears the prophecy that he will be king and when he moves compulsively to murder Duncan as if under hypnotic
发表于 2025-3-23 06:55:11 | 显示全部楼层
Dramatic Techniques,o become major themes in the play. The prophecies of the Witches were part of the original story, and the second set of predictions already had that equivocal nature that Shakespeare was to develop as the all-pervading characteristic of evil in .; his witches, however, owe little to Holinshed’s ‘wei
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