Titlebook: Love and Marriage Across Social Classes in American Cinema; Stephen Sharot Book 2017 The Editor(s) (if applicable) and The Author(s) 2017

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Corroborate

无底

牛马之尿

through the roaring twenties and the Great Depression. In the vast majority of cross-class romance films the female is poor or from the working class, the male is wealthy or from the upper class, and the romance ends successfully in marriage or the promise of marriage..   .978-3-319-82432-1978-3-319-41799-8

颠簸下上

The End of the Golden Era and After,m different class origins; Pretty Woman (1990), which included an ironic reflection on the formula; and Titanic (1997), which situated the cross-class romance in the past. In general, however, the cross-class romance has become rare, even in the widely popular genre of romantic comedy.

不容置疑

comely

Stephen Sharotacan’s discourse of the capitalist, neoliberalism is a perverse discourse insofar as it reduces desire to demand and disavows the lack in the Other. Instead of the promised satisfaction that accompanies each new product or experience, what results for the subject is an endless cycle of the productio

初学者

Stephen Sharotacan’s discourse of the capitalist, neoliberalism is a perverse discourse insofar as it reduces desire to demand and disavows the lack in the Other. Instead of the promised satisfaction that accompanies each new product or experience, what results for the subject is an endless cycle of the productio

HAUNT

oxidant

Stephen Sharotemerging contaminants (ECs) of high concern. The controlled or uncontrolled discharge and long-term persistence of ECs such as micro-pollutants, endocrine disruptors (EDs), pharmaceuticals, hormones, and toxins all pose environmental threats and considerable risks to human health and aquatic life, a