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Titlebook: London’s Women Artists, 1900-1914; A Talented and Decor Mengting Yu Book 2020 Springer Nature Singapore Pte Ltd. 2020 Talented and Decorati

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发表于 2025-3-21 17:19:46 | 显示全部楼层 |阅读模式
书目名称London’s Women Artists, 1900-1914
副标题A Talented and Decor
编辑Mengting Yu
视频video
概述Presents an entirely new historical understanding of women artists’ roles and contributions in academic institutions and key exhibition groups in London during the early 1900s.Examines the nature and
图书封面Titlebook: London’s Women Artists, 1900-1914; A Talented and Decor Mengting Yu Book 2020 Springer Nature Singapore Pte Ltd. 2020 Talented and Decorati
描述Drawing on untapped archives, as well as aggregating a wide range of existing published sources, this book recalibrates the understanding of women artists’ roles, outputs and receptions in London during what was indubitably a vibrant and innovative period in the history of British art, and in which the work of their male contemporaries is so well understood. The book takes its starting point from Alicia Foster’s article “Gwen John’s Self-Portrait: Art, Identity and Women Students at the Slade School,” published in 2000, where the expression “a talented and decorative group” was coined to describe common attitudes towards women artists in the late 19th and early 20th century London. This pejorative attribution strongly implied a status less significant to that of their male counterparts. The author challenges this statement‘s basic tenet by casting a wide net in examining women’s art education from the Slade School of Fine Art, through to the role of its graduates within a selection of London’s exhibition groups, societies and publications. This book also reconstructs ‘from scratch’ the role of the Women’s International Art Club (WIAC), hitherto entirely overlooked in art historical
出版日期Book 2020
关键词Talented and Decorative Group; London’s women artists; London exhibition societies; 20th century Britis
版次1
doihttps://doi.org/10.1007/978-981-15-5705-7
isbn_softcover978-981-15-5707-1
isbn_ebook978-981-15-5705-7
copyrightSpringer Nature Singapore Pte Ltd. 2020
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发表于 2025-3-21 21:05:44 | 显示全部楼层
,Women Artists at the Slade School of Fine Art in the Pre-war London, 1910–1914, By identifying at least twenty-six countries of origin of students and by monitoring annual trends, some definable understanding can be arrived at concerning the “internationalism” that was said to pervade in the pre-war years. In a similar manner, this chapter conducts an examination of women scho
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,Women Artists and the , Magazine, London 1911–1913, with an array of exhibition catalogues from the National Art Library, a picture of the complexity, intricacy, and significance of these inter-relationships emerges. A second strand within this chapter focuses on the published graphics by women artists emphasizing not only their links to Fauvism and
发表于 2025-3-22 08:49:16 | 显示全部楼层
,Women’s International Art Club: Inclusivity, Diversity and Femininity, 1900–1914,ly. The global network of knowledge among women artists in the era comes as an important facet of this chapter, demonstrating that the WIAC welcomed international women artists exhibitions/societies as part of the regular annual exhibition in London, but also set up branches of the WIAC abroad, and
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Book 2020ation from the Slade School of Fine Art, through to the role of its graduates within a selection of London’s exhibition groups, societies and publications. This book also reconstructs ‘from scratch’ the role of the Women’s International Art Club (WIAC), hitherto entirely overlooked in art historical
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Mengting Yuontrolle erfüllt: nach der Identifikation der besonders kostenrelevanten Komponenten des zu erstellenden Endprodukts werden mittels Clusteranalysen Klassen mit ähnlichen Komponenten gebildet. Produktklassenbezogene Kalkulationsverfahren etwa auf Basis regressionsanalytischer Kostenfunktionen, histor
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ection of London’s exhibition groups, societies and publications. This book also reconstructs ‘from scratch’ the role of the Women’s International Art Club (WIAC), hitherto entirely overlooked in art historical978-981-15-5707-1978-981-15-5705-7
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