Titlebook: London in Early Modern English Drama; Representing the Bui Darryll Grantley Book 2008 Palgrave Macmillan, a division of Macmillan Publisher

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The Pre-commercial Theatre Interlude Drama,inerant theatre that is not normally London-based. Though some interludes were, of course, produced for the court or other patrons in the metropolis, the overwhelming majority were essentially not a part of the cultural life of the capital. Even the royally patronized troupes spent much of their tim

ciliary-body

Late Elizabethan Drama,re buildings in the peripheries of the capital in the mid-1570s. The advent of the London-based commercial theatre meant that drama would fairly rapidly come to be orientated towards an urban audience, and increasingly reflect its social experience and attitudes, in a period in which that experience

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Caroline Drama,by a new breed of gentleman writers targeting a more restricted and elevated clientele. Another was the substantial development, from the early 1630s onwards, of the area between the City and Westminster, most particularly Covent Garden. The two phenomena were not unrelated, since both can be seen a

Dappled

Conclusion,a over a period in which both the city and the theatre underwent considerable changes. It is clear that the pre-commercial era interlude drama presents a very partial view of London, in both senses of the word, since it selects certain elements of the metropolis’s geography to create paradigms of vi

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Book 2008This book explores the changing representation on the early modern stage of the built environment of London. It covers a period in which the city underwent rapid growth to become the country‘s first metropolis, and it examines how the urban environment becomes part of the frame of reference of the drama that is set there.

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https://doi.org/10.1057/9780230583764drama; stage; theatre; British and Irish Literature